Live shows

Synchronized handheld screens for live performance

Identical iPads or phones, carried by performers or set in a grid, playing as one timecode-locked display over Wi-Fi. I run it. The production or a rental house supplies the devices.

Credits

Where it has run

  1. 2011

    American Music Awards

    will.i.am, T.H.E. (The Hardest Ever), with Jennifer Lopez and Mick Jagger

    Los AngelesiPad rig

    Full performance on YouTube (fan upload) (opens in a new tab)

  2. 2011

    Mnet Asian Music Awards

    will.i.am, T.H.E. (The Hardest Ever)

    SingaporeiPad rig

    Full performance on YouTube (fan upload) (opens in a new tab)

  3. 2012

    Kia, North American International Auto Show

    Rehearsal footage from the show floor

    DetroitiPads

  4. 2012

    Corporate event

    Hotel event, iPad rig

    PhoenixiPads

  5. 2018

    Asus ZenFone 5 commercial

    Synchronized Android phones on set.

    Android phones

    The finished spot on YouTube (opens in a new tab)

These shows ran on the rig's first software, built for Control Freak between 2011 and 2018, working alongside my dad. Control Freak was later acquired by 4Wall and no longer exists. In 2026 I rebuilt the software from scratch.

How it works

Nothing on the wire at cue time

A Mac at front of house is the clock master and the single source of show state. Each device carries the entire show and works out what to draw from the synced clock and a small state blob that is repeated, not requested. A lost packet changes nothing.

  • Every device holds the whole show and draws from a synced clock, so no message has to arrive for a cue to land.
  • Clock sync runs over ordinary Wi-Fi. Measured across an iPad and an iPhone on one access point: 0 to 1 frame apart after a 20 minute run.
  • If the hub drops, the devices keep playing on their own disciplined clocks. A hub outage is not a show stop.
  • A Mac runs a virtual wall of N devices, so a show can be rehearsed before a single tablet is in the room.

In development, as of 2026-08-23

  • Chases LTC timecode from the show clock, with MTC to follow.
  • Named layouts and looks with bezel compensation, switched from the hub or the timeline.
  • A hub dashboard showing battery, charging, content, and sync state for every device.
  • Show control over OSC and HTTP, so Companion or a console can fire cues.

What a production provides

What I need from you

  • The device count and model. The rig wants identical devices; a rental house can supply them, or the production can.
  • A closed Wi-Fi network for the devices, or I bring an access point.
  • A timecode feed from playback, or a cue list if the show is called by hand.
  • The content master at the final resolution, with enough lead time to cut it per device.
  • Rehearsal time with the real devices and the real network.

Contact

Book a show

Rates on request. Based in Sacramento, California. Travels worldwide.

jbertuch@proton.me